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All Because A Child Was Born
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Vous avez sélectionné:
All Because A Child Was Born
Partitions à imprimer
28 partitions trouvées
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26
All Because A Child Was Born
All Because A Child Was Born
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Trompette, Piano
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INTERMÉDIAIRE
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Contemporain
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BeBe and CeCe Winans
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Bob Marshall
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All Because A Child Was Born
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Bob Marshall
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.827160 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. Score and p...
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Piano,Trumpet - Level 3 - SKU: A0.827160 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. Score and part. 9 pages. Bob Marshall #3260241. Published by Bob Marshall (A0.827160). From the legendary gospel singers BeBe and CeCe Winan comes this beautiful Christmas ballad All Because A Child Was Born. This arrangement for Bb Trumpet (or Flugelhorn) with piano accompaniment by Bob Marshall perfectly captures the performance given on their album First Christmas. A relaxed, soulful and easy jazz feel for the Trumpet fits perfectly with the lush chording and fills from the piano. Make this gem a part of your Christmas holiday performances. Key of C (D for Trumpet). Also available for Tenor Sax, Alto Sax, and as a Woodwind Quintet. 2017 Holiday Contest Entry
$7.95 ≈
7.42€
All Because A Child Was Born
All Because A Child Was Born
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Contemporain
#
BeBe and CeCe Winans
#
Bob Marshall
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All Because A Child Was Born
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Bob Marshall
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.827156 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. Scor...
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Alto Saxophone,Piano - Level 3 - SKU: A0.827156 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. Score and part. 9 pages. Bob Marshall #3260217. Published by Bob Marshall (A0.827156). From the legendary gospel singers BeBe and CeCe Winan comes this beautiful Christmas ballad All Because A Child Was Born. This arrangement for Eb Alto Sax with piano accompaniment by Bob Marshall perfectly captures the performance given on their album First Christmas. A relaxed, soulful and easy jazz feel for the Sax fits perfectly with the lush chording and fills from the piano. Make this gem a part of your Christmas holiday performances. Key of Ab (F for Alto Sax). Also available for Tenor Sax, Trumpet/Flugelhorn, and as a Woodwind Quintet. 2017 Holiday Contest Entry
$7.95 ≈
7.42€
All Because A Child Was Born
All Because A Child Was Born
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
#
Contemporain
#
BeBe and CeCe Winans
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Bob Marshall
#
All Because A Child Was Born
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Bob Marshall
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.827158 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. Sco...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.827158 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. Score and part. 9 pages. Bob Marshall #3260221. Published by Bob Marshall (A0.827158). From the legendary gospel singers BeBe and CeCe Winan comes this beautiful Christmas ballad All Because A Child Was Born. This arrangement for Bb Tenor Sax with piano accompaniment by Bob Marshall perfectly captures the performance given on their album First Christmas. A relaxed, soulful and easy jazz feel for the Sax fits perfectly with the lush chording and fills from the piano. Make this gem a part of your Christmas holiday performances. Key of Ab (Bb for Tenor Sax). Also available for Alto Sax, Trumpet/Flugelhorn, and as a Woodwind Quintet. 2017 Holiday Contest Entry
$7.95 ≈
7.42€
All Because A Child Was Born
All Because A Child Was Born
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Contemporain
#
BeBe and CeCe Winans
#
Bob Marshall
#
All Because A Child Was Born
#
Bob Marshall
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.827157 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Cont...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.827157 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Bob Marshall. Contemporary. 19 pages. Bob Marshall #3260189. Published by Bob Marshall (A0.827157). From the legendary gospel singers BeBe and CeCe Winans comes this beautiful Christmas ballad All Because A Child Was Born. This arrangement for Woodwind Quintet (Flute, Oboe, Bb Clarinet, Horn in F, Bassoon) by Bob Marshall perfectly captures the performance given on their album First Christmas. Make this gem a part of your Christmas holiday performances. Key of Ab. Also available as a solo for Tenor Sax, Trumpet/Flugelhorn, and Alto Sax. 2017 Holiday Contest Entry
$15.00 ≈
14.00€
All Because A Child Was Born
All Because A Child Was Born
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Piano, Voix
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INTERMÉDIAIRE
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BeBe and CeCe Winans
#
Jeff Tincher
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All Because A Child Was Born
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.582496 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Jeff Tincher. Contemporary. Score. ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.582496 By BeBe and CeCe Winans. By CeCe Winans and Madeline Stone. Arranged by Jeff Tincher. Contemporary. Score. 17 pages. Jeff Tincher #3219123. Published by Jeff Tincher (A0.582496). This is a piano/vocal/guitar arrangement of one of BeBe and CeCe Winans' beautiful Christmas hits. This is in the original key from their First Christmas CD. This arrangement combines the strings and piano section in the piano part of the song, leaning towards the strings when both sections have dominant parts. Great for any live performance, both sacred and secular. Duration = 4:07. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing.
$5.99 ≈
5.59€
All Because a Child Was Born by Bebe Winans - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Bebe Winans
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All Because a Child Was Born
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Musicnotes
Performed by: BeBe Winans: All Because a Child Was Born Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet ...
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Performed by: BeBe Winans: All Because a Child Was Born Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Gospel~~Black Gospel~~CCM~~Christian
$5.50 ≈
5.13€
When A Child Is Born
When A Child Is Born
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Andrea Bocelli
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Derek Hasted
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When A Child Is Born
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797797 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Spec...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797797 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Derek Hasted. Christmas,Contemporary. Score and parts. 17 pages. Derek Hasted #6096055. Published by Derek Hasted (A0.797797). WHEN A CHILD IS BORN - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming Christmas Song was made famous by the effortless singing of Johnny Mathis and recently came back to everyone's awareness with a new version by Andrea Bocelli.There are two versions of my arrangement in this one edition.The first arrangement is in conventional “SATB style”, where the three guitars play tune, harmony and bass lines. It would suit a mixed ability ensemble where the tune player is comfortable to move up the neck and the bass player has the least experience.The second arrangement rotates the roles so that each player takes a different role in every verse and each player has the tune at one point. It would suit a more evenly matched ensemble as the tune deserves a consistent tone and volume across the three verses.The two versions share the same notes.There’s no fingering on the score. This is because a more skilled ensemble might enjoy taking the parts up the neck to achieve a rounder and more lyrical tone.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.66€
The Prince of Peace, a sacred hymn
The Prince of Peace, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Prince of Peace, a sacred
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1367817 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Rel...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1367817 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 2 pages. Kevin G. Pace #952193. Published by Kevin G. Pace (A0.1367817). A gorgeous, sacred hymn for Christmas (or not for Christmas). Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:The Prince of Peace“For He is our peace . . .” (Ephesians 2:14)Unto us a Child was born, the royal Son of God.He would live as Prince of Peace, sent from a heav’n beyond.He would be our Savior, Christ, loving us each day.Following his ev’ry step is his righteous way.Unto us a Son was given, our Father’s first-born Child.He would grow to save the world, redeeming without guile.He would be our Rescuer, reconciling wrongs.Saving mankind was his call so all could belong. Unto us a King was placed within a manger stall.He will be our Governor and bring true peace to all.Evil will be nullified as He reigns on earth,For He is the Chosen One proving each soul’s worth. Unto us God’s Child was born, the perfect Prince of Peace.As we follow his sure steps, our grateful words increase.On this Christmas day we sing songs because He lives,Showing love for Jesus Christ, and the peace He gives.
$1.99 ≈
1.86€
The Prince of Peace, sacred music for choir
The Prince of Peace, sacred music for choir
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
The Prince of Peace, sacred mu
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1378102 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Rel...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1378102 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 10 pages. Kevin G. Pace #962724. Published by Kevin G. Pace (A0.1378102). A gorgeous, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:The Prince of Peace - “For He is our peace . . .” (Ephesians 2:14)Unto us a Child was born, the royal Son of God.He would live as Prince of Peace, sent from a heav’n beyond.He would be our Savior, Christ, loving us each day.Following his ev’ry step is his righteous way.Unto us a Son was given, our Father’s first-born Child.He would grow to save the world, redeeming without guile.He would be our Rescuer, reconciling wrongs.Saving mankind was his call so all could belong. Unto us a King was placed within a manger stall.He will be our Governor and bring true peace to all.Evil will be nullified as He reigns on earth,For He is the Chosen One proving each soul’s worth. Unto us God’s Child was born, the perfect Prince of Peace.As we follow his sure steps, our grateful words increase.On this Christmas day we sing songs because He lives,Showing love for Jesus Christ, and the peace He gives.
$1.99 ≈
1.86€
A Child Will Be Born to Us
A Child Will Be Born to Us
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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A Child Will Be Born to Us
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.818301 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Christ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.818301 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Christmas,Praise & Worship,Sacred. Score. 20 pages. Stephen R Dalrymple #5191345. Published by Stephen R Dalrymple (A0.818301). A Child Will Be Born to Us ♫ original song by Stephen R Dalrymple ♫ (Worship Team Edition) ♫ based on Isaiah 9:6-7 ♫ CCLI Song # 7142317 ♫ music © 1999 Stephen R Dalrymple (registered in Hope of the World) collection ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ This song was originally written for a SATB choral cantata “Hope of the World” featuring prophecies of Messiah in the Hebrew Bible. It was added to our Christmas worship repertoire because of my belief that these verses should be fixed into the memory of every believer. ♫ Isaiah uses a chiasmus (X motif) to delineate the 4 units of the name of Messiah. Each of the 4 components speaks to the Deity and Humanity of Christ. The chiasmus is seen in the arrangement of the words. Wonderful Counselor ~ Deity Humanity Mighty God ~ Humanity Deity Everlasting Father ~ Deity Humanity Prince of Peace ~ Humanity Deity ♫ sequenced by the composer ♫ YouTube: https://youtu.be/1Nxxu53JLSY.
$4.50 ≈
4.20€
A Taste Of Honey
A Taste Of Honey
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Piano seul
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AVANCÉ
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Rock
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The Beatles
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Timothy Stapay/Liberace
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A Taste Of Honey
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1129326 By The Beatles. By Bobby Scott and Ric Marlow. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical...
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Piano Solo - Level 5 - SKU: A0.1129326 By The Beatles. By Bobby Scott and Ric Marlow. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Pop,Rock. Score. 4 pages. Timothy Stapay #729825. Published by Timothy Stapay (A0.1129326). A Taste Of Honey is arranged as performed by piano artist, Liberace. For the first time; here is the Liberace version of this famous sixties classic song; arranged for piano solo! A Taste of Honey is a pop standard written by Bobby Scott and Ric Marlow. It was originally an instrumental track (or recurring theme) written for the 1960 Broadway version of the 1958 British play A Taste of Honey (which was also made into the film of the same name in 1961). Both the original and a later recording by Herb Alpert in 1965 earned the song four Grammy Awards. Barbra Streisand performed the song as part of her cabaret act during 1962, and recorded it in January 1963 for her debut album The Barbra Streisand Album, on Columbia, which won a Grammy for Album of the Year (1963). The Beatles performed Lenny Welch's adaptation as part of their repertoire in 1962, slightly changing the lyrics in the chorus. Because the instrumental version by Acker Bilk was popular in the United Kingdom at the time, the song was chosen to be recorded for their 1963 debut album, Please Please Me. A version from that time was released in 1977 on the album Live! at the Star-Club in Hamburg, Germany; 1962. In the US, this song first appeared on the Vee-Jay Records album Introducing... The Beatles. They also performed A Taste of Honey seven times for BBC radio shows.<.p> Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world
$5.99 ≈
5.59€
They Saw a Star Children's Christmas Cantata for solo optional flute and piano
They Saw a Star Children's Christmas Cantata for solo optional flute and piano
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Connie Boss
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Connie Boss
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They Saw a Star Children's Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Flute,Piano - Level 2 - SKU: A0.1319736 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 32 pages...
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Alto Voice,Flute,Piano - Level 2 - SKU: A0.1319736 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 32 pages. Connie Boss #908291. Published by Connie Boss (A0.1319736). The Christmas Star was very important. Many found their way to Bethlehem because of it’s bright light that shown down upon the stable where Jesus lay. This cantata tells the story of the Angel giving Mary news. Mary and Joseph traveling to Bethlehem where Jesus was born. The Angels, shepherds and the three Kings following the star to find Jesus.This is just melody, optional flute on 3 songs and piano. Perfect for the lower grades that don't sing harmonies. There is narration before each song. Songs in the cantata are:Mary Had a Baby Boy - has some melody of Mary Had a Little Lamb, but also has new lyrics and melodyA Little Baby - original by me. A little baby born to save us one and allWhat Child is This - They Saw a Star - original by me. The Three kings find their way to see baby JesusWe Three Kings/Scarbarough Fair - Lyrics from We Three Kings with the melody of Scarborough FairQuestions or request, email cdboss@cvalley.net. If you purchase this and would like the background accompaniment, please email me with proof of purchase.
$6.99 ≈
6.52€
All Because A Child Was Born
All Because A Child Was Born
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Piano, Voix et Guitare
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Bebe & CeCe Winans
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CeCe Winans. Christian
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All Because A Child Was Born
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bebe & CeCe Winans. Christian; Christmas; Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By Bebe & CeCe Winans. Christian; Christmas; Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Madeline Stone: All Because A Child Was Born for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Christian contemporain
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Madeline Stone
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Virtualsheetmusic
Instantly printable sheet music by BeBe & CeCe Winans for voice, piano or guitar of MEDIUM skill level. / christian,christmas,pop,advent,carol,festival...
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Instantly printable sheet music by BeBe & CeCe Winans for voice, piano or guitar of MEDIUM skill level. / christian,christmas,pop,advent,carol,festival
$6.97 ≈
6.50€
Feu follet
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: F? minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan Kleczy?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79 ≈
3.54€
Brass Quartet - Titans
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00 ≈
18.66€
Ta Maman for alto, cello and guitar
Ta Maman for alto, cello and guitar
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Contemporain
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. Dav...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00 ≈
9.33€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing ...
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Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
74.59€
Etude No 10 opus 60 for Guitar
Etude No 10 opus 60 for Guitar
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Guitare
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INTERMÉDIAIRE
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Matteo Carcassi
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Arte Nova Music Lab
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Etude No 10 opus 60 for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual...
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Solo Guitar - Level 3 - SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi
$5.00 ≈
4.67€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.02€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.02€
Cara Gianna Trio
Cara Gianna Trio
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Roma Cafolla
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Cara Gianna Trio
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Forton Music - Digital
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SheetMusicPlus
Cl/a. /Bbcl. Vln. Pft - Advanced - SKU: F2.FM347 Composed by Roma Cafolla. A or Bb Clarinet, Violin and Piano. Score and Parts. 23 pages. Forton Music -...
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Cl/a. /Bbcl. Vln. Pft - Advanced - SKU: F2.FM347 Composed by Roma Cafolla. A or Bb Clarinet, Violin and Piano. Score and Parts. 23 pages. Forton Music - Digital #FM347. Published by Forton Music - Digital (F2.FM347). ISBN 9790570482467.A or Bb Clarinet, Violin and Piano - Cara Gianna was written after the birth of the composer's miracle child (so called because at the time Gianna was born the composer had been seriously ill). Roma describes her children as 'absolute treasures' and the work is written with the all the motherly love imaginable. The work opens with a hauntingly beautiful theme which develops into a serene middle section, recapitulating to an augmented, extended and peaceful close.
$12.95 ≈
12.08€
Cara Gianna Solo
Cara Gianna Solo
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Roma Cafolla
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Cara Gianna Solo
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Forton Music - Digital
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SheetMusicPlus
Bbcl. Pft - Advanced - SKU: F2.FM346 Composed by Roma Cafolla. Bb Clarinet and Piano. Score and Parts. 15 pages. Forton Music - Digital #FM346. Publishe...
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Bbcl. Pft - Advanced - SKU: F2.FM346 Composed by Roma Cafolla. Bb Clarinet and Piano. Score and Parts. 15 pages. Forton Music - Digital #FM346. Published by Forton Music - Digital (F2.FM346). ISBN 9790570482450.Bb Clarinet and Piano (also available as a Trio) - Cara Gianna was written after the birth of the composer's miracle child (so called because at the time Gianna was born the composer had been seriously ill). Roma describes her children as 'absolute treasures' and the work is written with the all the motherly love imaginable. The work opens with a hauntingly beautiful theme which develops into a serene middle section, recapitulating to an augmented, extended and peaceful close.
$9.95 ≈
9.28€
Audacious Binary Forms for Pianist (one or two pianos)
Audacious Binary Forms for Pianist (one or two pianos)
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Piano seul
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Contemporain
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Paul Copeland
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Audacious Binary Forms for Pia
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Paul Copeland
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SheetMusicPlus
Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A...
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Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00 ≈
18.66€
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Harpe et Piano
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INTERMÉDIAIRE
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Australian neo-classical compo
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Divertimento in F major for Pi
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Mr. Phillip Anthony Russo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,C...
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Chamber Orchestra - Level 3 - SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00 ≈
37.32€
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All Because A Child Was Born
